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Matthew Milia & Peter Oren w/ Blake Skidmore

$8.00

Details

Date:
December 8
Time:
8:00 pm - 11:00 pm
Cost:
$8.00
Event Category:

Venue

Main Ballroom
31 West Church Street
Newark, OH 43055 United States
Website:
www.thirtyone-west.com

Matthew Milia (of Frontier Ruckus) and Peter Oren share the stage for an intimate evening of songwriting prowess. Also appearing is Blake Skidmore (of Old Hundred).

From Matthew:

“My debut solo album is almost finished. It’s called Alone at St. Hugo. My friend Ben Collins and I recorded it to this Tascam 388 tape machine and played all the instruments between the two of us in a small room. I don’t think I’ve ever been so excited about an album I’ve made. It is a very personal and unadulterated document, and exceedingly dear to me.”

Peter Oren:

Indiana-born, everywhere-based singer-songwriter Peter Oren possesses a remarkable singing voice, low and deep and richly textured: as solid as a glacier, as big as a mountain. Similar in its baritone gravel to Bill Callahan, a hero of his, it rumbles in your conscience, a righteous sound that marks him as an artist for our tumultuous times, when sanity seems absent from popular discussions. His voice is ideally suited to confront a topic as large and as ominous as the Anthropocene Age.

That term is relatively new, reportedly coined in the 1960s but popularized only in the new century to designate a new epoch in the earth’s history, when man has exerted a permanent—and, many would argue, an incredibly deleterious—change in the
environment. Sea levels are rising, plants and animals facing mass extinctions; it may be humanity’s final epoch, which makes it a massive and daunting subject for a lone singer-songwriter to address, let alone a young musician making his second full-length record.

But Oren has both the singing voice and the songwriting voice to put it all into perspective. The songs on Anthropocene, his first album for Western Vinyl, are direct and poetic, outraged and measured, taking in the entire fucked-up world from his fixed
point of view. Art and activism are inseparable on these ten songs, each bolstering the other. “There’s no separating art from reality,” says Oren. “The reality is that our politics are guided by our emotions, and music has the capacity to demonstrate those emotions, at least on an individual level. And if you can talk to someone on an individual level, you might be able to have a more useful conversation than if you’re talking to a roomful of people.”

Blake Skidmore: